I did not know its name until I took a photo of the wingéd thing clinging to the stucco wall near my front door, and looked it up:
a white-lined sphinx moth, aka, the hummingbird moth for the way it hovers. Large and lovely as some moths can be, but unmoving.
Not wanting to disturb it, I left it there until morning when, as is my habit, I brought kibble and fresh water to the porch.
Then I ventured a tentative finger to a lower wing. Not a twitch, not a flutter. And as this small death registered, I could not help but think of the neighbor’s kitty who faithfully arrived every morning to see what good stuff he might graze on.
“It’s always more fun to eat out,” I’d tell his embarrassed mom.
Hearing me inside the house, Hercules would rise from his spot on my doormat, arching his back into a “Finally!” pose, then, as he bent to nibble, allowing a gentle pat down the back of his head.
Years ago, he’d hiss if I tried to touch him, but he came to allow it, eventually seeming to tolerate— if not like—the affection.
Last week, away from home, when I got the text from his mom saying that Hercules had died, I felt that space in my chest open to accommodate this fresh grief, knowing that mornings on the porch would not be the same.
Which is why I have not dislodged the hummingbird moth. Why I’m still leaving food—not for the one who will not come again, but for those four-footed neighbors who will,
grateful for the visitations, whether daily or of the moment, all of them temporary blessings.
(Top) The white-lined sphinx moth (aka hummingbird moth), and (above) Hercules chowing down, Feb. 1, 2026. (Photos: Jan Haag)
If this were Hawaii, we’d be looking for honu as we walk this blufftop trail.
But this is California’s central coast, where kelp forests shimmy under the surface of the sea, not turtles, though a few slender-necked cormorants on the hunt pop up, then dive to surface again.
We take it slowly and pause often, which is easy when so many views command the eye, literally stopping us in our tracks—
from the sleeping seal doing an excellent imitation of driftwood on the beach of the aqua agua cove below to squadrons of pelicans overhead arrowing north.
At the base of Bird Island, where today no avian committees meet and preen, a park docent with an angled scope invites walkers like us to pause, bend, and look through the giant eye to see what ours cannot—
two otters gyrating in a slender channel of deep blue. And—bonus!— two more hauled out on rocks, sleeping close like small, fuzzy seals.
“That’s unusual,” muses the docent, since otters prefer to sleep in the sea, wrapping themselves in kelp fronds to keep from drifting, dozens floating in a raft of fur, whiskers to the sky, some sleeping paw to paw.
This strikes us as an excellent idea, knowing that our raft waits nearby in a room with a view that stretches to the horizon—two shades of blue divided by a thin ribbon—
where we can hear the cries of gulls and make like napping otters, floating on waves of dreams, hand in hand.
•••
(For Dick, with my thanks for this perfectly timed getaway to some of the prettiest coast in our fair state.)
(Top) China Cove with its aqua agua and (above) Bird Island overlook, both at Pt. Lobos State Natural Reserve, Carmel, California / Photos: Dick Schmidt